Auditions

The directors will see you now!

NOTE: We are seeking adult auditionees, though younger actors may be considered if they demonstrate discipline, strong focus, and emotional maturity. 

Auditions are now open for Cinderella!

Audition Dates:

Monday May 4th 7pm-10pm
Tuesday May 5th 7pm-10pm
Saturday May 9th 11am-4pm

 

Callback Date (if needed):

Sunday May 24th 11am-4pm

 

Audition + Callback Location:

River Drive Park Community Centre (RDP)
20 Oak Ave
East Gwillimbury, ON L9N 0A2

Rehearsal Dates:

Rehearsals will begin in Mid-August (Dates TBD)
Mondays 7pm-10pm
Thursdays 7pm-10pm
Sundays 11am-4/5pm

 

Show Location:

The Stephen Leacock Theatre
130 Gwendolyn Blvd, Keswick, ON L4P 1Z3

Tech/Show Dates:

** Cast must be available for all dates**
Tech week will be from November 14th-19th
The show will run from November 20th-29th, 2026
With a school show on Wednesday, November 25th (Daytime)

Queensville Players Presents: Rodgers and Hammerstein’s Cinderella

Director: Michael Winn Johnson
Choreographer: Camille Dziewurski
Musical Director: Doug Hammond

We are looking for all roles including Principals, Supporting, Featured Ensemble, Ensemble and Dancers.

We seek performers from all backgrounds, races and ethnicities. We encourage ALL to apply. The Production Team is dedicated to making the audition, rehearsal and performance process safe, accessible and welcoming for all performers regardless of race or ability.

The Queensville Players are committed to diverse and inclusive casting. We welcome applications from all performers, without regard to age, sex, ethnicity, disability, race, colour, national origin, sexual orientation, gender identity, or any other bias.

This is a non-equity, non-paying production. There is no fee to audition.
All chosen applicants must adhere to the QP Constitution and By-Laws. Membership fee of $40 for Individual or $70 for Family applies if cast in the production.

The Broadway adaptation of the classic musical features new characters, a hilarious libretto, surprising twists, and an unforgettable score from Rodgers & Hammerstein. Rodgers + Hammerstein’s Cinderella is a musical in two acts with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and a book by Douglas Carter Beane based partly on Hammerstein’s 1957 television adaptation. The story is derived from the fairy tale Cinderella, particularly the French version Cendrillon ou la petite pantoufle de verre, by Charles Perrault. It concerns a young woman forced into a life of servitude by her cruel stepmother and selfish stepsisters. She dreams of a better life, and with the help of her Fairy Godmother, Cinderella is transformed into an elegant young lady and is able to attend the ball to meet her Prince. In this version, however, she opens the Prince’s eyes to injustice in his kingdom. Ella helps spark transformation and empower the disenfranchised in their kingdom. With the help of her fairy godmother, a pumpkin and a little magic and humour, Ella, Prince Topher and their generous friends will inspire and delight the whole family.

Glass slippers are so back…

We are seeking adult auditionees, though younger actors may be considered if they demonstrate discipline, strong focus, and emotional maturity.  

What to Prepare:

Acting: One “lively” monologue, approximately 1 minute long.  Showcasing energy and acting abilities. Redirection may be applied.

Vocal: Two 36 bar cut songs. One should be a ballad in the style of the show, noting the shows romantic, classical stylized music. The other should be a song showcasing character.

Select song cuts that showcase your vocal abilities.

**Please come prepared with a karaoke track (we will have a Bluetooth speaker available),

no A Cappella singing please**

 

Dance: There will be a dance audition for all roles so please bring dance shoes (if you have appropriate dance heels/ character shoes please wear those but not mandatory!) or runners and wear clothing you can move in. There will be group dance calls scheduled, you will be notified of the time when you book your audition date.

 

Click here to fill out the audition formhttps://forms.gle/RuPsRU1Ueynhk8Br9 

Email Queensvilleplayersshows@gmail.com with any questions

Character Breakdown

ELLA – Though no one notices her beneath her rags and quiet demeanor, she is opinionated, charismatic, passionate, beautiful, and funny. Idealistic and hopeful, she courageously challenges the prince to change the policies in his kingdom – and helps him discover who he truly is. Always her late father’s daughter, she is determined to see the good in everyone despite her hardships and suffering. We see her blossom into a confident woman.

TOPHER – A misguided and lost prince who longs to do something important with his life. Though brave and heroic, he feels lonely and unfulfilled. Charming but NOT a stereotypical ladies man, he is thoughtful, appealing, and innocent – with an unforced goofy streak. Moral, genuine, and kindhearted, he is at a crossroads and must take control of his kingdom and his future.

MADAME – Ella’s selfish stepmother. The epitome of vanity and fashion. A ravenous social climber who values wealth, status, and material possessions above all else. Unapologetically dismissive and sometimes cruel, Madame schemes her way up the social ladder.

SEBASTIAN – The kingdom’s Lord Chancellor. Though he is Topher’s trusted advisor, he is devious and selfish. Using propaganda and dishonesty, he keeps Topher isolated and in the dark about his kingdom. Sebastian rules without regard for the lower class, or anyone other than himself – and truly believes he deserves to rule the kingdom.

MARIE – A friend to Ella and the town’s resident crazy lady and beggar woman, Marie is actually a fairy godmother in disguise. Wise, warm, otherworldly, and charming, Marie rewards Ella for her kindness by making her dreams a possibility.

 


GABRIELLE – Ella’s stepsister and daughter of Madame. Encouraged by her mother and sister to value material wealth and social status, she unenthusiastically joins them in their abrasive behavior. Quietly passionate, empathetic, and witty, she is drawn to Ella and Jean-Michel. Ironically aware that she doesn’t fit in.

CHARLOTTE – Ella’s stepsister and daughter of Madame. Brash, self-centered, materialistic, snooty, loud, sassy, and bratty, she has a ridiculously high, but unfounded, opinion of herself. She never passes up an opportunity to be the center of attention.

JEAN-MICHEL – A feisty, passionate peasant determined to make a change for the starving class. Impetuous. A firebrand, but lacks authority and isn’t taken seriously as a revolutionary. Has a crush on Gabrielle, though their courtship is forbidden because they are from different social classes.

LORD PINKLETON – The Lord Chancellor’s right-hand man. Announces royal balls, banquets, and even the weather to the villagers.

ENSEMBLE
Giant, Fox (Puppet), Raccoon (Puppet), Footman, Coachman, Knights, Townspeople, Ladies and Gentlemen of the Court, Servants, etc.

Note: In this show, the race of the characters is not pivotal to the plot. We encourage diversity and inclusion in our casting.

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